I continue to add to and keep track of my last lines series, despite no epiphanies from it yet (for more on why I catalog last lines or to see more, follow this link - here). This one provides no greater insight into human nature.
I took the elevator, walked the length of the hall, and balanced the hamster tank on one knee while I opened my front door. I stepped inside and flipped on the light. Everything looked perfect. No Orin splattered on the wall . No broken window. Clean floor.
There was a bottle of champagne on my kitchen counter plus a check and a note from Ranger.
For a job well done, the note said. I’ll be around later. I need a date.
Evanovich, Janet - Notorious Nineteen
I'm sure that we could parse and dissect these lines and see that Stephanie is riding the elevator up . . . meaning that she is coming up out of the funk that she had been in. That this could be the start of a new positive time in her life. Or we could talk about how there is no "Orin" splattered on the wall. Or how the floor was "clean."
But having read alot of Evanovich's stuff, I think she wanted us to look at the final line, and begin to wonder if there is something happening between her and Ranger and whether or not that might affect her relationship with Morelli.
For my taste this love triangle has gone on too long. Personnally I fear that readers like myself suspect she's gone to this well once too often. STill, I will most likely read the next, probably when I need a lighthearted easy book to digest.

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